Stow's Lower Village Cemetery, burials 1700 to present. Slate headstones meant to be read while standing opposite the grave. Click on photos to enlarge. |
In the early Stow years, when
people died, they were buried in the Lower
Village Cemetery
with their graves oriented east-west, feet pointing east, so that on
Resurrection Day, when “…the trumpet shall sound and the dead shall be raised…”
they would arise facing the new day. Headstones were inscribed on the far side
of the deceased. This way, a person reading the inscription would be standing
on the other side from the body.
The Lower
Village Cemetery
was located near the original meeting house. A kiosk on the south side of the
cemetery has a map on one side with numbers for the graves and a numerically
ordered list of the 500-odd burials on the other side, showing names, dates of
death, ages and dates of birth. The list is not up to date, as there are at least
a half-dozen 21st century burials not shown. The earliest interment on record
dates to 1711. Given Stow
was settled in the 1680s, either everyone was preternaturally healthy or else
earlier burials were not properly recorded.
UMK for graves without headstones |
One of the few skull motif headstones in Lower Village Cemetery |
The great majority of the headstones in
Eastern Massachusetts headstone art changed through the
centuries, the changes usually beginning in Boston and the neighboring cities, then
radiating outward. The 1600s were characterized by a death's head - a toothy
stylized skull flanked by wings. By the 1700s another iconographic motif took
over. Called a winged cherub or a soul effigy, this motif was characterized by
a fleshy face and life-like eyes, again flanked by wings. Many of the
headstones in the Lower
Village Cemetery
display this image. By the late 1700s and early 1800s headstones featured a
willow tree, an urn, or often the combination of the two. The willow was an
ancient symbol of mourning. Urns were symbols of Roman-era items used to
contain the deceased's ashes.
Headstone art in the Hartshorn/Mullicken style |
A small subset of stones in Stow present an entirely
different direction - a simplified, mask-like face, no wings, with much of the
rest of the stone showing circles filled with spirals or stylized flower
outlines. These look very modern, but date to 1700-1760. Massachusetts stone carvers associated with
this style were John Hartshorn, Robert
Mullicken and Mullicken's three sons.
To visit this cemetery, park at Shaw's Plaza and walk over.
Its layout predates the Rural Cemetery Movement, which made its first
appearance in the United States
with Mount Auburn
Cemetery , in Cambridge (1831). That innovation called for
a site distant from the immediate neighborhood of meeting houses or churches,
either town owned or privately owned, often on a hillside near the outer edges
of town, with winding paths and extensive landscaping. Cemeteries became not
what you passed on your way to Sunday service, but rather a place you might visit
to honor the departed, take a meditative walk, or even have a picnic. Stow 's newest cemetery - Brookside
(1864) - is more aligned with the latter concept while Hillside
(1849) - Stow's second cemetery - is more of the old style.
Cupid design for headstone; popular in the 1700s |
Maynard's Glenwood Cemetery was dedicated in 1871, so it contains none of these old-style slate stones or headstone art. There are 20-30 stones dated earlier than 1871; either these were buried in anticipation that the town would purchase the land for a town cemetery or else they were relocated from family plots on family land after the cemetery was open for business.
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